Showing posts with label korean. Show all posts
Showing posts with label korean. Show all posts

The Cleanest Race: How North Koreans See Themselves and Why It Matters Review

The Cleanest Race: How North Koreans See Themselves and Why It Matters
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I knew that B. R. Myers was a contributing editor, I believe, for "The Atlantic," my favorite periodical. I had no idea that he was also a student of the Korean Peninsula, especially the "Hermit Kingdom" north of the 38th parallel. Christopher Hitchens reviewed this book for "Slate" today, and after catching it this morning, I drove to my local Barnes & Noble in the vague hope they might have a copy. I was shocked that they had a copy in stock. And I was not able to put this fascinating book down.
Myers objective is, by explaining North Korea in the roots of its modern past, to try to make some form recommendations as to how the world community can deal with this strange and blinkered land. His ultimate conclusion is, unfortunately, rather gloomy, arguing essentially that containment and "benevolent neglect" are the only methods to deploy against a regime that, by its own self-definition, is as fixed and unchangeable as a steel and cement mold. All this short of actual military confrontation no one exterior to North Korea wants.
But, this is not the best part of the book. Myers advances and, I think, proves that North Korea is purely a product of its all-pervasive propaganda which literally soaks every aspect of daily life, twenty-four seven, learned in part from the brutal occupation tactics of the Japanese between 1905-1945. And this propaganda supports the two pillars of this Orwellian moonscape, the military and the Kim clan, arguably the most successful crime family since the fictional Corleones. North Korea is no longer properly understood as a "communist" society. Indeed, the very word was removed from the latest Constitution in favor of the long-evolving bogus governmental policy of "Juche," the military elites celebrated as a class in support of a paranoid "imperial family" who have gone to absurd lengths to soldify their dread power over a population kept in absolute, deliberate ignorance of the world outside; even going to far as to use low-level malnutrition as a method of social control. Myers uses mutitudinous examples of past and contemporary North Korean governmental propaganda to illustrate the depths to which this control is exercised. And the consistent keys struck over and over are: (a) absolute fear of the "outside," especially South Korea, Japan, the United States, and even China to a limited extent; (b) the fostering of a divine cult around the ruling family (even suggesting the future "quasi-resurrection" of the dynastic founder); (c) glorification of the military establishment, including the nuclear programme as nationalist expression; and (d) institutionalized racism that also extendes into eugenic practices to keep the Korean race "pure." And all this is overlaid with a perverse form of warped Confucianism where deference to authority is posited as the highest of social aspirations. Put in radically simpler terms, North Korea is best understood less as nation-state than religious cult where the "Dark Other" is the rest of the earth itself.
I also note that Myers descriptive prose is very powerful, but made more so by ample visual examples in the book which are not "filler" but artfully chosen to illustrate main points. Excellent visual and written editing all the way around.
I admit that using propaganda alone as a basis for historical conclusions is usually a spotty exercise. But in a nation where that propaganda is the essence of the state and the people its creations from cradle to grave, I think the basis far more firm than, say, it would be in a discussion of modern China, for example, or Soviet-era Roumania. On this sure footing, and backed by what is obviously years of work and scholarship, Myers makes a complelling case that any dealings with North Korea must be informed by an understanding of how it sees itself, as horrible that vision may be.
Recommended without reservation, especially to people interested in political science, cultural history, and East Asian Studies.


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The Firekeeper's Son Review

The Firekeeper's Son
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I don't know why I feel this way, but you'd think there would be a lot of Newbery winning children's authors who'd switch their focus from time to time to picture books. And yet, this is not the case. In fact, it's rather rare for someone of Lunda Sue Park's stature to go about writing for children younger than her usual fare. It's almost as if she's slumming. But Park (who won the Newbery for "A Single Shard") has discovered what most winners fail to realize. That a picture book can be every bit as morally complex and intricate as a 230-some page novel. All it takes is excellent writing and an illustrator who knows their stuff. Which makes, "The Firekeeper's Son" a perfect example of a picture book that does everything right and ends up wowing the reader with its intensity.
Sang-hee lives in a small, unassuming, and peaceful village in Korea. One day, his father informs him that their little space is infinitely important (a fact that Sang-hee has a bit of difficulty believing). But his father is absolutely correct. Located beside the sea and just next to the first of a row of mountains, it understood that in the event of a seaward attack by Korea's enemies, this village is the first line of defense. That is why, every night, Sang-hee's father climbs the nearby mountain and lights a fire that can be seen for miles. Then, someone on the next mountain will see that fire and light their own. This continues all the way to the king's palace where, if the king sees the last mountain lit, he'll know that all is well. Of course, if the fire is not lit, the king would immediately send his soldiers out to battle with the enemy. Now this system has gone on for generations, but Sang-hee is not content. He would love to see the king's glorious soldiers more than anything else in the world. Then, one night, his father hurts his ankle while climbing up the mountain. Sang-hee is given the task of lighting the fire himself, but as he nears the pile of dried twigs he thinks about how much he'd like to see a soldier up close. And the hot coals are slowly burning out...
The book weighs an individual's personal wants and fantasies against the greater good of the whole, and does so beautifully. You completely understand Sang-hee's dilemma. On the one hand, there's the fact that not lighting the fire would be a callous lie. On the other hand, "Maybe there is a soldier who would be glad for a chance to visit the sea". Park's story is based on factual information, as she mentions in her Author's Note. However, the system by which bonfires informed the king of potential attacks was, in real life, far more complex than the one featured here. As Park herself mentions, "additional fires could be lit to convey further information, so the court would know not only which province was facing danger but things like the size of the enemy forces and how well armed they were!". She provides additional resources for further reading.
It was a real stroke of luck that Park was paired with illustrator Julie Downing too. Downing plays with lush watercolors and pastels that perfectly convey not only the cool blue nights Sang-hee must run through, but also the glow of the slowly dying coals and eventual hot orange flames. If you look on the cover of the book, you can see dream soldiers fighting in the fire and the bright orange flickers reflected in the black of Sang-hee's eyes. Downing's images are the perfect compliment to Park's deeply rich story.
As historical fiction picture books go, this one has to be one of the most beautiful on record. If you'd like a picture book that lures those sometimes hard to interest boy readers, but is just as doggone interesting to the girls of the world, this book's a safe bet. It's beautiful to look at and remarkably complex to contemplate. Art in the purest sense.


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