Showing posts with label greek mythology. Show all posts
Showing posts with label greek mythology. Show all posts

Here's How I See It--Here's How It Is Review

Here's How I See It--Here's How It Is
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This book is a delightful read for 'tweens and early teens. Junebug is "almost 13" and though she adores her family's summer stock theater, she is feeling a little put upon with her list of chores and wishing (maybe) she could have a bigger part not only in the shows, but also in her parents' affections. It doesn't help that her mother has sort-of moved out and her father is making eyes at his co-star. Did I mention her father has taken on a 12-year-old theater apprentice, and expects Junebug to teach him the ropes?
What I liked best about the book: the clever fantasy/reality set up of the chapters (reflected in the title: HERE'S HOW I SEE IT/HERE'S HOW IT IS.) Junebug, Trace and the parents grapple with real problems in real ways, without being too heavy handed. The "backstage" view of theater life. The way Junebug explains theater terminology to readers who might not be as well versed. Plenty of parts to make you smile. Great (sometimes purposely fractured) lines from plays. And now, Anon, my friends. Pick up this book if you desire some fun.

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The Dead (An Enemy Novel) Review

The Dead (An Enemy Novel)
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by Evan
I picked up The Dead, the prequel to The Enemy, without having actually read the book it precedes, with high hopes that Charles Higson, the author behind the exciting Young Bond series, could inject some life into the hackneyed zombie genre. He succeeds, in large part due a new twist that mixes zombie scares with Lord of the Flies: the disease only affects those sixteen and older.
As a result there is a largely teenage cast, which is easy to identify with. Higson doesn't treat the motley band of 14 and 15 year olds as young children, either. They make intelligent decisions, and sometimes not-so-intelligent decisions, but they don't descend into chaos like the children in Lord of the Flies. In addition, because his characters are so capable, Higson rarely resorts to the type of dues ex machina so often found in zombie fiction, like the serendipitous cache of guns and food, or a convenient salvation from another group as the zombies close in. Consider a situation when the party finds a museum full of guns, but no ammo. In their typical resourceful style, the kids attach bayonets or use the guns as clubs, rather than throwing them away as if they are useless. Of course, there are instances of luck, but forgivable. Without any luck, it's doubtful that anyone would survive for very long. That in itself is a scary thought. No matter how prepared, without a little luck you're toast, especially in a zombie apocalypse.
Jack and Ed, best friends, are the main focus of the book, as two radically different leaders. Jack, formerly shy and self-conscious, is now a headstrong fighter, eager to kill the `sickos' when they attack. Ed, previously popular and confident, is traumatized by the violence and unable to fight. He learns to lead in other ways, but can't help feeling like he is losing Jack's respect. The relationship starts a little flat, and I felt as if Ed was a vastly more dynamic character, ending somewhere different from where he started, while Jack stays mostly the same.
The real treat however, is vast host of secondary characters. From Greg, a sarcastic bus driver, to Bam, a gung-ho jock, Higson gives them each a distinct personality and purpose. Sometimes I wished I wasn't reading about Jack and Ed's conflict and wanted to spend more time with the other guys.
Keeping with zombie tradition, the ruthless undead don't discriminate between your favorite character and the one you hate the most. The death count is high, the violence intense, and the suspense tight enough to keep you up at night. As a veteran of Bond books, Higson understands proper plotting and makes sure that the book never sags. While the epilogue occurs a whole year later, most of the book takes place in a few frenetic days. The characters are always in motion physically and, more importantly, emotionally.
Bottom line: This is the zombie book I've been waiting for, viscerally thrilling, occasionally funny, and always smart. It doesn't stoop to quick fixes or cheap scares, has well drawn characters, and even serves as a study of leadership under pressure.

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THE DEAD begins one year before the action in THE ENEMY, just after the Disaster. A terrible disease has struck everyone over the age of sixteen, leaving them either dead or a decomposing, flesh-eating creature. The action starts in a boarding school just outside London where all the teachers have turned into zombies. A few kids survive and travel by bus into the city. The bus driver, an adult named Greg, seems to be unaffected by the disease. Then he begins to show the dreaded signs: outer blisters and inner madness. The kids escape Greg and end up at the Imperial War Museum. A huge fire in South London drives them all to the river, and eventually over the river to the Tower of London. It is there they will meet up with the kids in THE ENEMY in Book 3.

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Dusssie Review

Dusssie
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Dusie Gorgan, the star of DUSSSIE, never expected puberty to be like this! Maturity brings about startling changes: snakes for hair, for one thing! Nancy Springer deftly weaves substantial mythology into this present day story of Medusa "Dusie" Gorgan, whose absent father is a mortal and whose mother is a goddess. This stand-alone book would be a great stepping stone into Rick Riordan's Percy Jackson and the Olympians series or a companion volume for those who enjoyed THE LIGHTNING THIEF. A strong heroine, plenty of humor and a creative (and non-deadly) ending make this great for 'tweens.

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