Showing posts with label slavery. Show all posts
Showing posts with label slavery. Show all posts

Seaward Born Review

Seaward Born
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Michael is a lucky 13-year-old African American boy. Even though he lives in the 1800s, he has still not been taken for slavery. He has no parents, but has a guardian, Mrs. Lautrec, who takes care of him and his friends, Anna, Sam, and Sirrah. Mrs. Lautrec sends him off to be with a captain who trains him to survive on water. But after Mrs. Lautrec dies, he and his friends are taken as slaves. He sneaks onto a ship headed to Boston on an adventure to be free from slavery. But not even he knows where it is going to end up.
This book should have been recommended for a more sophisticated age group. The publishers recommend it for ages 8 to 12, but because of the slavery, and men, women, and their children being thrown off of a ship, it should have been recommended more for ages 11 to 15, or for someone who wants to learn about slavery in the 1800s. I was not able to concentrate for a long time, because only every other chapter was interesting. Less describing the scenery and the thoughts of the characters, and more adventure and human conversations would keep the reader more engaged. But other than these minor details, this is a book that makes the reader worry about Michael being caught and enslaved, and at the end it gets more interesting and I cared about the main character's life.

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Breakout Review

Breakout
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Del has decided that she can no longer live the life she?s known for so long. She has decided to change identities, sell what she can, put the rest in the truck of an old Datsun, and move out of town.
On the way out of LA, she encounters a four-hour traffic jam. At first she?s angry about her situation and scared that a cop will recognize that she?s a minor and send her back to foster care; as time goes on, however, the traffic jam becomes a message to her about people, and her view of the world is slightly softened. Del is able to imagine the lives of her fellow ?traffic-jammers,? and she can see what they need and who they really are. These insights help her reach an understanding of her own life.
Paul Fleischman is the master of taking seemingly insignificant characters and events and creating powerful relationships among them. Just as he did in Seedfolks, here he has written about common place people who come together unexpectedly and learn a little bit more about each other than they expected.
There is a protagonist here who is in need of hope and understanding, and she gets it surprisingly from strangers who don?t know that they?re offering her anything except a little conversation during a long wait.
The interviewer?a young man working on his thesis?shows Del how people grow and change even over short periods of time, and the man with the red beret gives her a glint of hope that she is clever and has talent.
The flashback between her present self and this traffic jam experience eight years prior offers the reader relief, knowing that she is, indeed, able to take this experience and her life and make something of it.

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The Fold Review

The Fold
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This book's premise is amazing, and it is the reason I picked it up from the masses. I'm always up for a good YA cultural tale. I'd never even heard of the fold surgery. Part of me has always been curious as to what Asians thought of their different looks (their eyes, in particular) in contrast with Americans. I imagined it would be something that either didn't bother them too much, or if it did, it was only a small bother. I never thought this Asian eyes issue was of this magnitude, with ample surgeries going left and right trying to "correct it". For raising awareness to this topic, this book deserves an A+.
Now...
I didn't love this novel. Why? Joyce wasn't that compelling a character. I'll be the first to say this was an important story to be told (read my paragraph above), but the overall execution didn't do a lot for me. More often than not, I was bored with Joyce's voice. The central issue in her life is this prospective plastic surgery, and while she's off obsessing about it, we've got so many more interesting characters making appearances but never interesting Joyce enough to explore their stories more. Examples:
Joyce's older, more beautiful sister, Helen, is the "perfect daughter". She's got a lot built up inside of her, which is blatantly obvious, but almost none of it is ever explored. Helen, despite always being pressured to do better every time, has an amazing, complex, and mature outlook. I would've read an entire book about her if given the chance.
Gina, the best friend. Here's a girl so sure of what she wants, but who has to work extra hard for it because of her family's financial problems. She works and has to keep her grades in tip-top shape at all times in order to get into college. Aside from all this, she's no more than a secondary character in the entire novel whose only purpose is to aide Joyce in the life-or-death situation that the surgery seems to be.
Gomo, the aunt who offered to pay for the plastic surgery. Far from perfect, but she's always got the best intentions at heart. During the brief point in the book where we're allowed to look into her past, we can see she's got so much compelling history, it's a wonder it didn't pop up more.
And those are only off the top of my head. It would've been easy to implement those characters' stories in with this novel's third-person narrative, but for some reason, all we get is Joyce. I wish she'd realized some time or another that the reason she's so insecure is because she spends interminable amounts of time overanalyzing her every facet. No plastic surgery is going to fix that. What she really needs is a hobby.
The ending was a little forced, but I liked it. I think she chose what she did for the right reasons and maybe it's a step in the right direction for her.
I am giving this three stars because I judged it as an important book, and for that purpose, it fell short. It's a highly readable novel, but it didn't stir me nearly enough as it should've or make as big a point as I was expecting. Maybe it's good for entertainment. I'm afraid I'll never know, because I started it expecting something groundbreaking, and those are irreversible expectations. But maybe.

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